East Asian Art in the Wake of the Vienna World’s Fair of 1873
Ključne besede:
East Asian Art, Vienna World’s Fair, 1873, Austria-Hungary, Collecting HistoryKratka vsebina
The Vienna World’s Fair of 1873 surpassed its London and Paris predecessors not just in size and ambition, but also in its determination to include countries of Eastern Europe, North Africa, and Asia. The spectacular Chinese and Japanese galleries were greeted by the Viennese public with particular enthusiasm. No such sizeable and comprehensive display of East Asian art, crafts, and products of industry had ever been shown in Europe before.
This book gives an insight into the Chinese and Japanese displays at the Vienna World’s Fair. It traces the far-reaching impact the exhibitions had on practices of collecting East Asian art, and investigates the networks of collectors and the fate of collections in and beyond the Austro-Hungarian Empire.
Poglavja
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Introduction
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The Chinese Gallery at the Vienna World’s Fair of 1873 and Late Habsburg Exhibition Diplomacy
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The Social Side of the Vienna World’s Fair: A New Perspective on Japan’s Participation, Networking, and Exhibit Management in 1873
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Japan’s Policy and Preparatory Work for the Vienna World’s Fair in 1873
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“Very Poorly Represented in the Museum”: East Asia in the Austrian Museum of Art and Industry under the Directorate of Rudolf Eitelberger 1864–1885
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Trieste and Asia: Overseas Ties of the Habsburg Port City (18th‒20th Centuries)
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The Influence of World’s Fairs on the Formation of Japanese and Chinese Collections in Bohemia and Moravia in the Late 19th Century
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Missionaries as Museum Suppliers: Peter Baptist Turk (OFM) and His Collection in the Rudolfinum Museum in Ljubljana
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Josef Schwegel (1836–1914) and His Legacy: Vienna World’s Fair and its Connections to Slovenia
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Ferenc Hopp, Josef Haas and the Making of the Moongate in the Ferenc Hopp Museum of Asiatic Arts, Budapest
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Eleonore Haas: The Lost Chinese Heritage in Mozirje
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