Femininity in the female music since 1918: Views of some smaller musical cultures in Europe
Keywords:
female composers, femininity, 20th centurySynopsis
The volume offers thirteen views on the creativity of female composers and the issue of femininity in music. It addresses the femininity in those European musical cultures after 1918 that are usually considered as smaller. Clearly, this smallness of a musical culture should be understood entirely in the relational sense of the word, the bigger musical cultures have been long posing such questions and are offering a series of heterogeneous answers over the years. What is female in the music of female composers is today for many almost superfluous questions: most of the contributions confirm that the composers today prefer to be seen merely as composers rather than womencomposers. Today, femininity seems to be hardly an issue in the discourses on musical creativity. Gender is becoming tellingly absent – as it was loudly present in the recent past. What does this turn mean?
Chapters
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Zborniku o ženskosti v glasbi po 1918 na pot
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Femininity in the female music since 1918: views on some smaller musical cultures in Europe
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Ženski glasovi v sodobni glasbi
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Pogled na ženskost v ustvarjalnosti skladateljic v Republiki Makedoniji
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O (ne)obstoju »ženske glasbe« – Srbija po letu 1918
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Skladateljice v Črni gori: zgodovina nekega razmerja
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Sodobne skladateljice na Kosovu: od kod prihajajo in kam gredo?
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Skladateljice v Bosni in Hercegovini
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O hrvaški ženski glasbi
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Skladateljice v Romuniji – pregled njihovega dela v nemirnih časih
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Slovenske skladateljice po letu 1991: kaj je ženskega v njihovih delih?
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Sodobne skladateljice v Avstriji
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Slovaške skladateljice – pogumne, izvirne in brez predsodkov
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Ali obstaja »ženska« glasba? O ustvarjalnem delovanju sodobnih ukrajinskih skladateljic
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Žensko–moško v litovski glasbi
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