Gledališka sinteza: razprave o drami, gledališču in performansu

At first glance, Theatrical Synthesis is the “technical” label for the papers published under this title. But it is not. The texts included in this volume span different fields – drama, dramatic theatre and performance art, its theory and execution – and are unit­ed by a common analytical orientation: the desire to recognize phenomena in their essence, their core. In this way, the title merely aims to illustrate the single “method” with which the debates approach their objects of research: to approach them as close­ly as possible, almost to the point of “obscenity”, and then to step back and see them in their specific manifestations, but at the same time – and this is the most important thing for the book – to see the potential of the contemporary connections they offer through their original embeddedness in an authentic, “historical” basis.